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| The Qin and the Chinese Literati Qin influence on behavior and nature | 中文 目錄 |
| Qin Ideology | 琴道 |
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The guqin has arguably the world's oldest surviving written solo instrumental music tradition, with the first surviving tablature dating from the 7th century CE, but "the way (dao) of the qin" has sources much earlier than that. Traditional attitudes towards the qin are often said to have been more Daoist than Confucian,2 but writings about the effects of the qin on people's behavior show a mixture of these philosophies.3 In addition, a study of qin melodies shows Confucian themes to be almost as prevalent as Daoist themes.4 Thus, as Zhu Quan states in his preface to Shen Qi Mi Pu (1425 CE): As the qin became a physical object, the sages made it in such a way that it could correct purposeful thoughts, provide leadership in worldly affairs, bring accord to the six influences and tune the harmony of the seasons. It is indeed the divine instrument of heaven and earth, and a most ancient spiritual object; thus it became the music used by sages of our Middle Kingdom to control the government, and the object used by princely men to cultivate (themselves); it is only appropriate to stitched sleeves (i.e., scholars) or yellow caps (Daoists). The best English language source for guqin ideology is R.H. van Gulik, Lore of the Chinese Lute (2nd ed.); Tokyo and Rutland, Tuttle, 1969. |
Do qins need strings? There are none on the qin
in this fan painting by Feng Chaoran dated 1943. The fan inscription begins, "Wind in the pines and a babbling brook are nature's melody. A qin was brought along, but there is no need to play it. 1 ![]() |
See also The Qin and the Chinese Literati , an excellent Orientations magazine article by James Watt
Footnotes (Shorthand references are explained on a
separate page)
1.
Fan painting, by 馮超然 Feng Chaoran (1882-1954; quite well-known)
The full inscription is as follows:
The couplet at the front of the inscription expresses sentiments found in poetry at least as early as Seeking a Recluse by the Zuo Si (3rd C. CE; q.v.). The couplet itself also can be found often (e.g., see at the end of a long poem from a collection called 繪事徽言 in 四庫全書補正 Corrected Siku Quanshu (online, p. 237); there are several variations for the first half, including 「松風澗響天然韻」 and 「高山流水天然調」.
The first two characters after the couplet might be 陟星 zhixing ("ascending the stars"); 小僊 Xiaoxian was also the nickname of the famous painter 吳偉 Wu Wei (1459-1508). The date is then stated as 癸未四月 April 1943.
After this is apparently a nickname 慎得 Zhende, then the painter's proper name, Feng Chaoran (1882-1954); the seal says 超然 Chaoran
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2.
Buddhist ideas seem to be important only in the way they have affected Daoism and Buddhism. For more on Buddhism see Buddhist themes.
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3.
Qin influence on nature and on human behavior
Proper behavior involves various concepts, most of them rather difficult to translate. Such terms include,
Potential benefits of the qin are said to include:
The sentiments expressed above by Zhu Quan carry this further. The Chinese original is:
4.
It has sometimes been claimed that when a Chinese literatus succeeded in attaining a government position he followed the structures of Confucianism, but when he lost his position he became a Daoist, achieving all by doing nothing.
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