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分析
Li Yuanqing; Zha Fuxi; Pu Xuezhai; Yang Yinliu; Guan Pinghu 1 |
Modern qin analysis is indebted to the
guqin work of 1956 led by
Zha Fuxi. Regarding the photo at right,
Zha Fuxi, Pu Xuezhai and Guan Pinghu were all qin players. Li Yuanqing was then Director of the Music Research Institute, while Yang Yinliu was probably the most important historian of Chinese music in general.
Articles in this section include
Footnotes (Shorthand references are explained on a
separate page)
1.
Li Yuanqing, Zha Fuxi, Pu Xuezhai, Yang Yinliu and Guan Pinghu(中文)
This photo, dated 1954, was copied from
Zha Fuxi: Qinxue Wencui.
Pu Xuezhai was a noted painter (see, e.g., on the Oberlin museum website) as well as qin player, but there is little biographical information available in English. There is also some confusion about his surname in that he is often called 傅雪齋 Fu Xuezhai (an English example is the well-known UNESCO recording called A Musical Anthology of the Orient 32, 1985). Chinese writings may use either Pu Xuezhai or Fu Xuezhai (溥伒 Pu Jin is also common but 傅伒 Fu Jin less so), but I have not yet found an explanation of when or why Fu got started as a substitute for Pu. Because as a surname Pu is rare but Fu is quite common, perhaps this is due to simple confusion. Or perhaps at some time, as when Puyi allowed the Japanese to make him emperor of Manchuria from 1934 to 1945, it became politically expedient for Pu Xuezhai to change his surname from Pu to Fu. In any case, it now seems most common to go back to his original surname, 溥 Pu.
Pu Xuezhai's daughter 金毓嵐 Jin Yulan (1926 - ; also called 愛新覺羅毓嵐 Aisin Gioro Yulan) is a noted calligrapher. An online biography of 冷炳祥 Leng Bingxiang says he studied landscape painting from the 長子 eldest son of Pu Xuezhai, 愛新覺羅毓泉 Aisin Gioro Yuquan (1945 - ; also 愛新覺羅 毓泉 Aisingioro Yuquan), today a well-known calligrapher.
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