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Yelü Chucai
- Qin Shi Xu #30; see also Xu Jian, Qinshi Chubian, Chapter 6, A4 |
耶律楚材 1
琴史續 #30 2 |
Yelü Chucai (1190 - 1244) was a Khitan, a descendent of its royal house, the 遼 Liao, whose empire was centered in northeast China from 907 - 1125); after this his ancestors had served in the Jin government. Yelü Chucai himself was their governor of Beijing when it was taken over by the Yuan in 1214. After this he accompanied Genghis Khan (1162 - 1227) on some of his campaigns in Central Asia. He later became an administrator for Genghis' successor, Ogotai (1185 - 1241), in which capacity he is said always to have been benevolent.
Yelü Chucai is perhaps the most famous early non-Han qin player. The biography here also mentions several other qin players who were his contemporaries: Mi Dayong,4 Miao Xiushi,5 the Old Master of 10,000 Pines6 (a teacher) and Zhang Zhiwen,7 (a student).
Yelü Chucai advocated a simple style of qin play. This is perhaps summed up best in a set of two poems he wrote, Loving the qin playing techniques of Qiyan (a nickname of Miao Xiushi). These have been translated as follows by R. H. Van Gulik in his Lore of the Chinese Lute.8
Frequent application of vibrato grates upon the ears of the listener,
This style is aimed only at captivating the common fancy.
The pure tones are simple - but who can appreciate them?
People only say that Qiyan does not use the wooden sounds.9
Yelü Chucai also wrote a poem about Guangling San that includes a description of it being played by one Zhang Qizhi.10
The original Qinshi Xu biography begins as follows.
More to be added.
Yelü Chucai's son, 左丞相耶律鑄 Vice Premier Yelü Zhu,11 (1221 - 1285) was also a poet. Qinshu Daquan includes several poems by him about qin. See
Footnotes (Shorthand references are explained on a
separate page)
1.
Yelü Chucai 耶律楚材
Yelü Chucai 29648.116 元,契丹人,履子,字晉卿,號湛然居士,又號玉泉老人.... was Khitan, during Yuan dynasty, son of Lü style name Jinqing, nicknames Zhanran Jushi and Yuquan Laoren.
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2. 18 lines. Qin Shi Xu sources are listed as:
3.
No image yet available.
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4.
弭大用 Mi Dayong
9988.xxx but see Van Gulik, where he is called Mi-Ta (pp. 76, 78, 83); it says there he played Zhejiang style, and that Yelü Chucai later abandoned this style for the Sichuan style of Qi Yan [Miao Xiushi - reference given is Zhanranjushi Wenji.
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5.
萬松老人 Wansong Laoren (Old Man of 10,000 Pines)
25455.262 has nickname only for 楊彝 Yang Yi (late 14th c., so not him).
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6.
苗蘭 Miao Lan (Miao Xiushi)
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8.
Loving the qin playing techniques of Qiyan 愛棲巖彈琴聲法
These two poems by Yelü Chucai are in his 湛然居士文集 his Collected Works. Van Gulik's translation is in Lore, page 78, footnote 171 (transliteration here changed to pinyin). The original poems (again copied from Van Gulik) are,
多著吟猱熱客耳,強生取與媚俗情。
純音簡易誰能識,即道棲巖無木聲。
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9.
Van Gulik's footnote, p.76, explains: "'Wooden sounds' refers to the vibrato and other graces, produced by rubbing the string on the surface of the soundbox.... Yelü Chucai in his later years abandoned the technique taught by his earlier masters 弭大 Mita and 萬松 Wansong.... Yelü Chucai was especially interested in the melody Guangling San...."
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10.
張器之 Zhang Qizhi (13th c. CE)
10026.xxx; no further information, except that this was during 1201-1208, and Yelü Chucai's poem identifies Zhang as a Daizhao:
Qin Daizhao? See also Rao Zongyi, "Historical Account", p.87.
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11.
耶律鑄 Yelü Zhu (1221 - 1285)
29648.166; Bio/1409
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