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97. Spring Thoughts
- yu mode:2 standard tuning ( 5 6 1 2 3 5 6 ) |
春思
1
Chun Si |
The melody Chun Si survives only in Xilutang Qintong (1549).4 The title suggests both thoughts that come in spring, and imagining the nature of spring. The section titles indicate that the melody generally focuses on the beauty of spring; in this way the theme is rather similar to that of the more famous melody Yang Chun.
Quite a few qin melodies have the theme of spring. And a great many Chinese poems either have the title Spring Thoughts, or include that phrase (see some examples). These poems often seem to be written from the point of view of a woman separated from her lover, and thus have a mood that is different from that of the present qin melody.
Chen Changlin in Beijing has also done a reconstruction of this melody.5
Knowledgeable men of elevated stature cherish living in solitude, feeling the harmony of a fragrant springtime. The stimulating scenery formed a song, and so here it is expressed on the qin, thereby displaying its effervescence. There are also the lingering sounds of living in harmony.
Footnotes (Shorthand references are explained on a
separate page)
1.
References for Spring Thoughts (春思 Chun Si)
There are many poems called Spring Thoughts. Here are my translations of two of the most famous, included in the collection 300 Poems of the Tang Dynasty:
14146.217 春思 says "猶言春情 refers in particular to feelings of spring", to which 5/645 adds "春日的思緒 thoughts of a spring day". Altogether these two entries have four poetic references, none given a musical connection:
A net search will turn up many more poems entitled Spring Thoughts. As yet I have not found one that would give it a particular connection to the the present melody, or to the qin in general.
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2.
Yu mode (羽調 yu diao)
See Shenpin Yu Yi.
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3.
Image
Not yet selected
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4.
Tracing Chun Si
Zha Guide 21/190/-- has only this one entry. The melody Pear Cloud Spring Thoughts (梨雲春思 Li Yun Chun Si) is not related.
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5.
Other recordings
The online video version skips sections 3 and 4 and most of 11 and 12. Perhaps the presentation limited the amount of time Chen could use. The metal strings, close miking and recording levels combine to give the qin a rather odd sound.
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6.
Original preface
The preface in Chinese is:
達人高士懷寶幽棲。感芳春之和,觸景成曲,故被之徽絃,以宣其沖暢。亦考盤("drumming and dancing"; "enjoying virtue"? See 詩經 #56)之餘音也夫。
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7.
Original section titles
The section titles in Chinese are:
Return to the annotated handbook list or to the Guqin ToC.