Tunings in Xilutang Qintong (1549)
14 tunings:¹ 8-10 and 12-14 below are not among the 8 in Shen Qi Mi Pu ²

Name	Chinese	String tuning method	Tuning	Played as	Comments/Translation
# in (brackets) is the # of pieces in this mode, incl. modal prefaces	中文	loosen or tighten one half step unless otherwise indicated (underline = 1 step)	if standard tuning has 1st string = c ("1"; d=2, etc.); (absolute tuning)	if 1 = do, 2 = re, etc.; (relative tuning)	number in (brackets) is the name's sequence in the set of 12 pitches
1. Huangzhong (2)     Taicou (5)     Dalü (3)	黃鐘 太簇 大呂	lower 3	1 2 3 5 6 1 2	1 2 3 5 6 1 2	-yellow bell (1) [usually: 1 3 5 6 1 2 3] -great burst (3) -big tube (2)
2. Gong (14)     Shang (9+24)     Jiao (13)     Zhi (11+8)     Yu (7+6)     Shangjiao (3)     Zhonglü (3)     Linzhong (3)     Jiaozhiyu (2)	宮  商  角  徵  羽  商角 中呂 林鐘 角徵羽	"standard"	1 2 4 5 6 1 2	5 6 1 2 3 5 6 1 2 4 5 6 1 2 5 6 1 2 3 5 6 1 2 4 5 6 1 2 5 6 1 2 3 5 6 1 2 4 5 6 1 2	- secondary tube (6) - forest bell (8) - these last 3 use 5 strings
3. Ruibin (4)     Qingyu (2)	蕤賓 清羽	raise 5	1 2 4 5 6# 1 2	2 3 5 6 1 2 3	-luxuriant vegetation (7)
4. Yize (3)     Nanlü (2)	夷則 南呂	lower 1, 3, 6 (or raise 2, 4, 5, 7)	7 2 3 5 6 7 2	3 5 6 1 2 3 5	-exotic standard (9);   (SQMP: mangong) - southern tube (10)
5. Guxian (3)     Jiazhong (3)	姑洗 夾鍾	raise 2, 5, 7 (or lower 1, 3, 4, 6)	1 2# 4 5 6# 1 2#	6 1 2 3 5 6 1	-maiden clean (5) -inserted bell (4)
6. Qiliang (7)	淒涼	raise 2, 5	1 2# 4 5 6# 1 2	2 4 5 6 1 2 3	-cold misery
7. Manshang (4)	慢商	lower 2	1 1 4 5 6 1 2	1 1 4 5 6 1 2
8. Yunü (2)	玉女	lower 1, 3	7 2 3 5 6 1 2	7 2 3 5 6 1 2	-jade girl; only one melody: can be played w/out lowering 1
9. Wumei (4)	無媒	lower 3 & 6	1 2 3 5 6 7 2	4 5 6 1 2 3 5	-no go-betwen (in Lixing Yuanya [1618] raise 2 by 　and 6 by 1 step)
10. Quanming (4)	泉鳴	lower 1(x2), 3, 6	6 2 3 5 6 7 2	5 1 2 4 5 6 1 (not 2 5 6 1 2 3 5)	- spring sounds; wrong tuning instructions, but correct guidelines
11. Wuyi (6)       Yingzhong (3)       Fugu (3)	無射 應鐘 復古	lower 1               raise 5	7b 2 4 5 6# 1 2	1 3 5 6 1 2 3 1 3 5 6 1	-no _?_ (11) -responding bell (12) -return to antiquity; uses only 5 strings
12. Jianxian (2)	間絃	lower 3               raise 5	1 2 3 5 6# 1 2	1 2 3 5 7b 1 2 (5 6 7 2 4 5 6?)	- between strings; only one melody: all but 1 section end like open 6th
13. Biyu (3)	碧玉	lower 1, 4, 6           raise 3	7 2 4# 5b 6 7 2	6 1 3 3 5 6 1	-green jade; alternate tuning (not here)" raise 3 a whole tone from guxian
14. Li You (1)	離憂	lower 1, 2               raise 5	7b 1 4 5 6# 1 2	1 2 5 6 1 2 3	-separation's sorrow; only one melody, no modal preface
total: 29 diao yi         140 melodies					# does not include the diaoxian pin which precedes gong mode

Footnotes (Shorthand references are explained on a separate page)

1. 14 Tunings: 1 standard (9 mode names) and 13 non-standard (20 mode names)
This seems to be the largest number of tunings used in any existing handbook except Lixing Yuanya (1618).

Lixing Yuanya (XXJC, VIII/250-303) has 24 melodies in 20 non-standard tunings (most have prefaces, all have lyrics):

1. 慢宮 Mangong ("lower 1, 3, 6; same as 夷則 [same as 1549 yize, 南呂 nanlü"; VIII/250)
     猗蘭操 Yilan Cao (2 sections, titled)
2. 黃鐘 Huangzhong ("raise 5, lower 1" [same as 1549 wuyi, 1618 dalü]; VIII/251)
     昭君怨 Zhaojun Yuan (8T)
3. Again Huangzhong (same tuning as previous; VIII/255)
     前赤壁賦 Qian Chibi Fu (11)
4. 姑洗 Guxian ("raise 2, 5, 7; same as 夾鍾 jiazhong, 清商 qingshang" [same as 1549 guxian] ; VIII/258)
     有回行 You Hui Xing (5; only here)
5. 蕤賓 Ruibin ("raise 1" [same as 1549 ruibin]; VIII/260)
     秋鴻 Qiu Hong (36; compare guxian in 1425!)
6. 無射 Wuyi ("lower 1, 2" [melody tends to avoid these 2 strings!]; VIII/271)
     梅花十五弄 Mei Hua Shiwu Nong (unrelated to other Meihua; 15T)
7. 大呂 Dalü ("raise 5, lower 1; 如黃鍾但" [same as #2; again as 1549 wuyi]); VIII/274)
     三癖操 San Pi Cao (3; "three cravings"; only here)
8. 慢商 Manshang ("lower 1, 3"; same as 1549 yunü; VIII/275)
     結客少年塲 Jie Ke Shaonian Chang (3; only here)
9. 慢角 Manjiao ("lower 3, 6" [same as 1549 wumei; compare wumei]; VIII/276)
     將進酒 Jiang Jin Jiu (2; only here)
10. 清角 Qing Jiao ("lower 1, 6, raise 3"; VIII/277)
      妾薄命 Qie Bo Ming (4; by 張子 Zhang Zi; only here)
11. 清徵 Qingzhi ("raise 4, lower 5"; VIII/279)
      茶歌 Cha Ge (4; only here; Tea Song [only qin tune about tea])
12. 慢羽 Manyu ("lower 5"; VIII/280)
      過義士橋 Guo Yishi Qiao (2; only here)
13. 清羽 Qingyu ("raise 2, 4"; VIII/281)
      手挽長河行 Shouwan Chang He Xing (4; only here)
14. 側羽 Ceyu ("raise 7"; VIII/284)
      飲中八仙歌 Yinzhong Baxian Ge (2; only here)
15. 凄凉 Qiliang ("raise 2, 5"; as 1549; VIII/285)
      屈原問渡 Qu Yuan Wen Du (9)
16. Again Qiliang (same tuning; VIII/288)
      陽關三疊 Yangguan Sandie (3)
17. Again Qiliang (same tuning; VIII/289)
      春江送別 Chunjiang Songbie (9; only here and 1738)
18. 碧玉 Biyu ("raise 3, 5, 7" [same as #18 ]; VIII/292)
      陌上桑 Moshang Sang (3; only here and an unrelated 1597)
19. 側蜀 Ceshu ("lower 3" [as 1549 huangzhong, etc.; VIII/294)
      醒心集 Xing Xin Ji (5; see the unrelated 1585)
20. 側楚 Cechu ("raise 7, lower 2"; VIII/296)
      孝順歌 Xiao Shun Ge (3; only here)
21. 無媒 Wumei ("raise 2, 6"; VIII/298)
      白頭吟 Baitou Yin (4; only here; see details)
22. 清調 Qingdiao ("raise 5, 7"; VIII/299)
      Wang Mingjun Yin (3; only here)
23. 離憂 Liyou ("lower 1, 2"; VIII/301 [reverses order with next])
      東飛伯勞歌 Dong Fei Bo Lao Ge (2; only here)
24. 泉鳴 Quanming ("tighten 3, 5, 7" [same as #18]; VIII/302)
      相逢行 Xiang Feng Xing (2; only here)

The names and tunings of these 20 modes are often different from those in other handbooks; they also do not include at least four of the tuning methods in 1549. Note also that although Qinshu Daquan, Folio 13 (1590), lists melodies for 19 non-standard modes, it has only titles, no actual tablature or indications of tuning mmethod.
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2. Compare Shen Qi Mi Pu
Shen Qi Mi Pu also has no melodies using only five strings.
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