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Commentary
Two of the most important surviving early handbooks, the present one and Taigu Yiyin, were compiled by men living in She county, the area south of the Huangshan mountain range noted for producing a large number of successful businessmen. As yet there have been no published studies into the reasons for this.
Taigu Yiyin consists of a large number of qin songs, many quite simple. Were these designed for merchant families that wished their children (young women as well as young men) to have a scholarly education?
Xilutang Qintong, which apparently only existed in hand copies, has many beautiful melodies surviving nowhere else. There are too many of these to have been all composed by Wang Zhi himself: were they collected from sources away from the main scholarly centers, and thus never printed in handbooks compiled by scholars and/or princes?
The earliest known sources of the 170 qin melodies are as follows.
|
Source of earliest
surviving tablature |
# of melodies
in 1549 |
Comments (with reference to the XLTQT ToC)
|
| Shen Qi Mi Pu
1425 |
51 | From SQMP Folio 1 it is missing #s 3 - 4, 7 - 9, 12 - 16;
from Folio 2 missing #22, 25; from Folio 3 missing #55 |
| Wusheng Qinpu
1457 |
1 | #62; only occurrence of a later reprint of any melody from the 1457 handbook |
| Zheyin Shizi Qinpu
1491 |
4 | #s 71,
73,
112 and
147;
None has lyrics |
| Taigu Yiyin
1511 |
5 | #s 29 -
31,
44 and
98;
#s 29 - 31 are versions of one melody, Ya Sheng Cao |
| Fengxuan Xuanpin
1539 |
10 | #s 1, 4, 8, 21, 27, 42, 72, 85, 92 and 100. |
| Wugang Qinpu
1546 |
4 | #s 32, 91, 125 and 150. |
| Xilutang Qintong
1549; first here |
20 | 4 of these are in only one other pu |
| Xilutang Qintong
1549; only here |
75 |
Much further analysis is required.
Footnotes (Shorthand references are explained on a
separate page)
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Return to the annotated handbook list or to the Guqin ToC.
Return to the annotated handbook list or to the Guqin ToC.