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Taiyin Daquanji  ToC   Folio 4 ToC   /   "Folio 6" 網站目錄
Taiyin Daquanji 1
Folio 5, Miscellaneous Explanations of Finger Techniques
Explanations provided by the translator are put either in brackets ( ) or in footnotes.2
太音大全集
卷五,目錄

  1. 琴譜總說 General Comments on Qin Tablature (QQJC I/79)

    Begins, "家語云,子路鼓琴,孔子聞之,曰...."

  2. 指法 Fingering (QQJC I/79)

    Begins, "傳云,琴瑟雖有妙音,而無妙指,終不能發...."

  3. 手訣 Mnemonic Formulae for the Hands (QQJC I/79)

    First of the six entries is, "凡取聲不可造作,搖身作勢"

  4. 右手指法 Right Hand Finger Techniques (QQJC I/79)
    Comment says, 劉籍
    琴議(?)諸家不同隨指疏之

    75 explanations. First 22 have shorthand forms, later are often repeats.

  5. 左手指法 Left Hand Finger Techniques (QQJC I/80)
    Continues the previous?

    49 entries, no shorthand forms

  6. 左手指法譜 Tablature for Left Hand Techniques (QQJC I/81)

    35 shorthand forms plus their full forms

  7. 字譜 Shorthand Forms (QQJC I/80)
    Opens with a short commentary beginning, "Making tablature began with Yongmen Zhou....(see
    complete passage).

    76 shorthand forms plus their full forms

  8. 唐陳拙居士聽聲數應指法並注譜訣 Chen Zhuo Finger Technique Explanations (QQJC I/81)

    A. Full name, shorthand form, then explanation for 30 right hand techniques
    B. Same for 20 left hand techniques (左手訣法)
    C. Same for 4 general instructions (雜調寄意)

  9. 外調轉絃 Changing the Tuning for Non-standard Modes (QQJC I/83)
    No indication of source: could it be the same as previous?

    A. 19 tunings
    B. More: 20 tunings

  10. 轉絃宗派 Heritage of Tunings (QQJC I/83)

    A chart with each succeeding level having one additional string re-tuned

     


    Both QFTGYY and the Zhu volume divide this folio into two parts, beginning Folio 6 here

     

  11. 名數發端 A Number of (Comments on) Getting Started (QQJC I/84 - 91)

    24 entries with a variety of themes: finger techniques and rules to follow

  12. 右手指法 Right Hand Finger Techniques (QQJC I/91)
    No indication of source

    23 simplified forms with explanations

  13. 左手指法 Left Hand Finger Techniques (QQJC I/91 - 92)
    No indication of source, but presumably same as #12 above.

    25 simplified forms with explanations

  14. 琴操辨議 Discerning the Significance of Qin Melodies (QQJC I/92)
    By Yuan Junzhe

    Begins, "琴操傳于世者有江操、閩操、浙操之不一...."

  15. Five short modal preludes, each with an attached Melody List (QQJC I/92 - 93):

    1. Gong Yi   (compare Shenpin Gong Yi)
    2. Shang Yi  (compare Shenpin Shang Yi)
    3. Jiao Yi     (compare Shenpin Jiao Yi)
    4. Zhi Yi      (compare Shenpin Zhi Yi)
    5. Yu Yi       (compare Shenpin Yu Yi)

End of Taiyin Daquanji, Folio 5

 
Footnotes (Shorthand references are explained on a separate page)

1. See the Comment on the different editions: the original of this chapter is in the Taiyin Daquanji reprinted in QQJC Vol. I, pp. 79 - 93. It is nearly identical to the same passages as reprinted in QFTGYY, pp. 85 - 107 (the original of which had a number of pages missing, so these missing pages are copied from Taiyin Daquanji); the latter divided this folio in two; it also has punctuation (perhaps added by TKW).
(Return)

2. See comments concerning the structure of the original text. (Return)

 
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