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Handbook List   /   Table of Contents 首頁
Wuyin Qinpu
Five Tones Qin Handbook 1
五音琴譜
1579

This handbook, in two folios, has 36 melodies, none with lyrics or commentary.2 Four of the melodies have their earliest surviving version here:

  1. Jing Guan Yin
  2. Shuixian Qu (reconstructed)
  3. Xiangyang Ge
  4. Ruilong Yin

At the beginning of each folio is the statement, "Revised and engraved by Shen Regional Protective Prince Dexuan;" the author of the preface has what seems to be the same title.3 Some further information is included in the Preface by Zha Fuxi, translated below.

 
Preface
by Zha Fuxi4
from Qinqu Jicheng, Vol. 4
Beijing, Zhonghua Shuju Chuban Faxing, 1982

(This qin handbook), in the collection of Shanghai Library,5 is a Ming dynasty edition, in two folios. It was compiled by the Ming Regional Prince Zhu Cheng.6 It has a preface, dated autumn, (the 15th night of) the 8th lunar month of the 7th year of the Wanli reign (1579), by Shen'guo Baoding Prince De Xuan. The first folio has melodies in the gong and shang modes. The last folio has melodies in the (jiao, zhi, yu and) shangjiao modes as well as modes using non-standard tuning.7 There are 36 melodies in all.

The author's own preface says,

"During leisure time I inspected old handbooks, roughly added amendations; I recorded the 31 melodies8 which I was able to play; for the ones I couldn't (play) I could not be sure of their correctness (and thus did not include them)."9.

Since this was a handbook which he himself used, it has differences from the collecting and storing style of the other tablature collections of all early periods. Its own style is uniform, as are its techniques.

 
Footnotes (Shorthand references are explained on a separate page)

1. 262.539 五音 wuyin: gong, shang, jiao, zhi, yu.
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2. 19 of the 36 melodies are in Shen Qi Mi Pu (1425).
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3. Shen Regional Protective Prince Dexuan
The commentary by Zha Fuxi/Wu Zhao does not elaborate on this name, only quoting the statement at the end of the preface, "Recorded by Dexuan, Protective Prince of Shen Principality" (Shen Guo Baoding Wang Dexuan ti 瀋國保定王德軒題). The Zha/Wu commentary does not mention that this name is repeated at the beginning of folios 1 and 2 (IV/195 and /222), changing only the second character: it has 藩 fan instead of 國 guo (i.e., Shen Fan Baoding Wang Dexuan jiao kan 瀋藩保定王德軒校刊). However, the meaning seems to be the same.

Here is my understanding of this name, in part from consulting a Chinese Wikipedia template about Shen Guo:

4. 查阜西 Zha Fuxi, edited by 吳鉊 Wu Zhao
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5. 上海圖書館; still in the Shanghai Library?
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6. The meaning of this and the following names is discussed above.
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7. Above the title for Zhuangzhou Mengdie, which is in the shangjiao mode, is the word "appendix". The four following pieces are identified as "non-standard tuning": Ao Ai and Yang Guan use ruibin mode, but this is not mentioned, though the tuning method is given at the front of Ao Ai; Li Sao uses qiliang mode (this is mentioned in the table of contents); Feiming Yin uses guxian mode, but this is not mentioned, though its tuning method is given. Mode names are also mentioned in the central column which has the page numbers, but there are mistakes.
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8. The preface misprints this as "30". The handbook's own table of contents does indeed list 31 melodies. The one here has 36 because it includes the five modal preludes, which in the book's own text but not in its Table of Contents.
(Return)

9. He adds, "I have sighed over this many times."
(Return)

Return to the annotated handbook list or to the Guqin ToC.