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Guqin Handbooks 1
An Annotated List
Volume 1 of Qinqu Jicheng
includes #1-5, 7-12 and 14

Qin music is collected in qinpu (qin handbooks). The annotated Catalogue of Qin Books has many that no longer exist, but the ones listed here all do. A few, such as #4 Taiyin Daquanji (see also Other Qin Books and Tablature) have only instructive articles, but most have qin melodies written out in the distinctive qin tablature.

In China in the 1950s Zha Fuxi led a project of locating old qin handbooks, as well as players and instruments. In 1958 the findings were published in his "Guide", and many of these handbooks have since been re-published in the anthology Qinqu Jicheng, several at a time, starting with Vol. I in 1981, and (except for Vol. XV) now up to Vol. XVII.2 (This was in fact a new series, replacing a less complete old series.3) Zha Fuxi intentionally omitted hand-copied books that only included tablature published elsewhere,4 and since then some further handbooks have been discovered.5

The following annotated list includes links for further information about most of the surviving qinpu up through 1590, including ones not in Qinqu Jicheng. The ones on which I have done the most work are also included on a separate list; the other linked volumes here have little more than translations of the prefaces, done hastily while I was examining these later handbooks to compare the melodies with the versions in Shen Qi Mi Pu. None is a finished product.

Surviving Qin Handbooks (現存琴譜列表) 6 古琴目錄                

  1. Jieshidiao Youlan (碣石調幽蘭; 6th c.?; 第一冊 Volume I.1);
    longhand tablature said to date from 6th c., discovered Japan 19th c., included in Qinxue Congshu (see 1910 below)
  2. Baishi Daoren Gequ Gu Yuan (白石道人歌曲古怨; 12th c.; I.2.);
    single qin song, with music and lyrics by Jiang Kui (姜夔); pub. between 1176-1197; Jiang Kui also published songs using other notation
  3. Shilin Guangji (事林廣記; Comprehensive Record of Affairs; 文藝類,琴 Qin Section; 1269 CE; I.3.)
    Includes Prelude, Golden Oriole Intonation (開指黃鶯吟 Kaizhi Huangying Yin, with lyrics) and five short modal preludes (調意 diaoyi)
  4. Taigu Yiyin (太古遺音; I.4 and Qin Fu);
    At least two editions of books originally attributed to 田芝翁 Tian Zhiweng of the Song dynasty survive with this title
    The first has 2 folios (second missing), the second has 5 folios (including 5 diaoyi copied from TYDQJ)
  5. (Xinkan)Taiyin Daquanji ([新刊]太音大全集; I.5 and I/old series)
    Two editions; the first (partially translated), attrib. 袁均哲 Yuan Junzhe, has 5 folios; the second, attrib. 朱權 Zhu Quan, has 6 folios.
    They have similar contents and 5 modal preludes; an outline by Tong Kin-Woon discusses the various editions of #4 and #5.
  6. Qin Yuan Yao Lu (琴苑要錄; 13/14th c.; facsimile reprint);
    A collection of essays by an anonymous editor, with no tablature
  7. Shen Qi Mi Pu (神奇秘譜; 1425 CE; I.6); 64 melodies; compiler lived in Nanchang
    3rd edition; 2nd edition was reprinted in the old series
  8. Wusheng Qinpu (五聲琴譜; 1457; I.7.); five melodies; compiler/author unknown
  9. Zheyin Shizi Qinpu (浙音釋字琴譜; before 1491; I.8); 42 melodies?, all with lyrics; compiler lived in Nanchang
  10. Xie Lin Taigu Yiyin (謝琳太古遺音; 1511 [not related to I.4]; I.9); 36 melodies, all with lyrics; compiler lived in She County, Anhui
  11. Huang Shida Taigu Yiyin (黃士達太古遺音; 1515 [not related to I.4]; I.10); two additional melodies, with lyrics; see previous
  12. Faming Qinpu (發明琴譜; 1530; I.11); 25 melodies, 9 with lyrics; compiler, from Iyang (Jiangxi) perhaps lived in Nanjing
  13. Fengxuan Xuanpin (風宣玄品; 1539; II.1); 101 melodies, 34 with lyrics; compiler was enfeoffed in Junzhou, Henan
  14. Wugang Qinpu (梧岡琴譜; 1546; I.12; Zha did not index; 45 melodies, 1 with lyrics; compiled by a palace eunuch)
  15. Qinpu Zhengchuan (琴譜正傳; 1547 / 1561; II.2; the 45 melodies in 1546 and 26 more; 2 have lyrics [but see comment]; printed in Nanjing)
  16. Xilutang Qintong (西麓堂琴統; 1549; III.1; 170 melodies, 19 with lyrics; compiler was in She county, Anhui)
  17. Buxuxian Qinpu (步虛仙琴譜; 1556; III.2; not fully indexed; compiler in Jiangnan area?).
    The National Libary in Taiwan has a complete edition (see the ToC: 53 melodies, but Qinqu Jicheng has only folios 5 and 6).
  18. Taiyin Chuanxi (太音傳習; 1552-61; Vol. IV.1; not indexed); 81 melodies; by 李仁 Li Ren; compiled in Nanjing?
  19. Taiyin Buyi (太音補遺; 1557; III.3); 73 melodies; also: Xingzhuang....; compiled in Nanjing?
  20. Taiyin Xupu (太音續譜; 1559; III.4) 38 melodies; also: Xingzhuang....; compiled in Nanjing?
  21. Longhu Qinpu (龍湖琴譜; 1571; Qin Fu [Taiwan], 1971; 30 melodies, 23 with lyrics; not indexed; from Hubei?
  22. Xinkan Zhengwen Duiyin Jieyao Qinpu Zhenchuan; (新刊正文對音捷要琴譜正傳; 1573; National Library in Taiwan.)
    An earlier edition of #24 below; 6 folios, 65 melodies, sometimes differing from 1585; all have lyrics
  23. Wuyin Qinpu (五音琴譜; 1579; IV.2)
    36 melodies; compiled by 朱珵 Zhu Cheng, a prince apparently in Shanxi
  24. Chongxiu Zhenchuan Qinpu (重修真傳琴譜; 1585; IV.3; ZGSD facsimile reprint)
    105 melodies in 10 folios, all with lyrics, by by 楊表正 Yang Biaozheng; published in Nanjing
    See 1573 and Van Gulik, p.185: 琴譜合璧大全 Qinpu Hebi Daquan (another edition of this work?); compare Qinpu Hebi
  25. Yuwu Qinpu (玉梧琴譜; 1589; VI.1)
    52 melodies, 3 with lyrics; compiled by the imperial eunuch 張進朝 Zhang Jinchao
  26. Qinshu Daquan (琴書大全; 1590; V)
    62 melodies, 8 with lyrics; large compendium of qin-related literature
  27. Sanjiao Tongsheng (三教同聲; 1592; VI.2)
    1 F; 4 melodies, all 1st occurence, all with lyrics: one Confucian (with prelude), one Buddhist, one Daoist
  28. Wenhuitang Qinpu (文會堂琴譜; 1596; VI.3)
    6F, 69 melodies, 10 with lyrics; 11 first occurence; compiled by Hu Wenhuan (胡文煥) of Qiantang (Hangzhou) .
  29. Luqi Xinsheng (綠綺新聲; 1597; VII.1)
    3F; 13 melodies (5 diaoyi and 8 titled pieces, 3-1st), all with lyrics; melodies of 徐時琪 Xu Shiqi (終南山 Zhongnanshan?)
  30. Zangchunwu Qinpu (藏春塢琴譜; 1602; VI.4; ZGSD facsimile reprint)
    6F; 65 melodies, 3 with lyrics; 3-1st; compiled by Hao Ning (郝寧) and other eunuchs; (Zangchunwu was a walled village near Nanjing)
  31. Sancai Tuhui Xuji (三才圖會續集 Continuation of Sancai Tuji; 1607; VI.5)
    Edited by 王洪洲、思義 Wang Hongzhou and Siyi (father and son); no location given; diagrams, zhifa, 5 diaoyi from
    1585, w/lyrics
    The original Sancai Tuhui (10.127) is said to be a book compiled by 王圻 Wang Qi (Wang Yin? 16th c.) in 106 folios
  32. Zhenchuan Zhengzong Qinpu (真傳正宗琴譜; 1589 and 1609; VII.2; ZGSD facsimile reprint called Qinpu Hebi)
    楊掄 Yang Lun of Nanjing; includes 7 new pieces and 7 new melodies for pieces published earlier
    Two component volumes: 太古遺音 Taigu Yiyin (34 melodies, all w/lyrics) and 伯牙心法 Boya Xinfa (29 melodies, 7 w/lyrics)
    QQJC has both of these in two editions, one dated 1589, then a more complete one dated 1609
  33. Yangchuntang Qinjing (陽春堂琴經; 1611; VII.3)
    14 folios; essays, no melodies; reprinted 1669 by 沈國裕 Shen Guoyu as 太古正音琴經 Taigu Zhengyin Qinjing
    Compiled by 張大命
    Zhang Daming of Fujian; prefaces by Zhang and 劉大任 Liu Daren; afterword by 陳五昌 Chen Wuchang
  34. Yangchuntang Qinpu (陽春堂琴譜; 1611 [?]; VII.4, pp. 331 - 431)
    4 folios; 42 melodies, none with lyrics; also reprinted 1669, as 太古正音琴譜 Taigu Zhengyin Qinpu
    Later addition by
    Zhang Daming to his #33;
    Attached at end: 琴譜啟蒙 Qinpu Qimeng: Qin Tablature and Instructions for Beginners (QQJC VII, pp. 432 - 468): 10 melodies, all with lyrics
  35. Qin Shi (琴適; 1611; VIII.1)
    4 folios; 5 diaoyi and 8 melodies (all with lyrics: repeat of 1597); edited by Sun Pixian (孫丕顯) of Qimin (七閩; north Fujian);
    part of Yanxian Sishi (燕閒四適; Four attainments of pleasure): qin, chess, books/calligraphy, painting (琴棋書畫)
  36. Songxianguan Qinpu (松絃館琴譜; 1614; VIII.2; ZGSD facsimile reprint)
    30 melodies/2-1st; by Yan Cheng (嚴澂); founded 虞山派 Yushan school (north of Suzhou; more in 1937);
    Discussed in VG, p.182, (& 226: Shin Etsu used it in Japan)
  37. Lixing Yuanya (理性元雅; 1618; VIII.3)
    4 folios; 72 melodies, all with lyrics; 31-1st; by 張廷玉 Zhang Tingyu (Zhejiang [
    Nanjing?]; Bio/xxx)
    13 use 5 strings; 5 use 9 strings; 5 use 1 string; many use non-standard tunings;
    cf. Van Gulik, Lore, p.220 for Japan colophon
  38. Sizhaitang Qinpu (思齊堂琴譜; 1620; IX.1)
    1 folio; 13 melodies, 1 with lyrics; compiled by Ms. Zhong, wife of the Chongzhau prince (崇昭王妃鍾氏);
    one melody is her own: Ligu Yuanyan (歷苦衷言; Sincere words of bitter experience); it seems to be the only surviving
    old handbook compiled by a
    woman, but she is not in the female players section of Qinshi Xu.
  39. Taiyin Xisheng (太音希聲; 1620; IX,2; not indexed)
    5 folios; 36 melodies, all with lyrics; compiled by 陳大斌,號太希
    Chen Dabin of 錢塘 Qiantang (Hangzhou)
    Chen studied from Li Shuinan (李水南) of the Zhe school, but traveled much & played over 50 years
  40. Lexian Qinpu (樂仙琴譜; 1623; VIII.4)
    6 folios; 35 melodies /2-1st; 12 with lyrics; compiled by Wang Shanwu of Huizhou (徽州汪善吾)
    in Anhui upriver from Hangzhou: also Xin'an (新安休邑: Anhui/Zhejiang?)
  41. Guyin Zhengzong (古音正宗; 1634; IX.3)
    7 folios; 60 melodies/5-lyrics; 10-1st, including 1st
    Yan Luo Pingsha; some pieces use decimal system for indicating positions (is this first?)
    compiled by (Prince) "The honor one-ness Taoist of Lu" ("潞國敬一道人" 朱常淓), Zhu Changfang (朱常淓), later famous for making qins
  42. Zhongzhou Caotang Yiji (中洲草堂遺集; late Ming; IX.4; not indexed)
    Not published until 1821-51; besides the poetry of Ming loyalist Chen Zi'ang (陳子卬) of Guangzhou, it has one qin piece, Shui Dongyou (水東游), attributed to him. Zhongzhou (78.179) generally means Henan or a part of it, but it can also refer to China in general
  43. Xixuan Qinjing (羲軒琴經; late Ming; IX,5)
    ( xixuan stand for Fu Xi (伏羲) and Xuan Yuan (軒轅; Yellow Emperor);
    2 folios; 32 melodies, 1 w/lyrics (0 new, 3 missing, 5 partial);
    undated pref. by Zhang Iheng (張一亨) of Jinan (濟南, in Shandong)
  44. Taoshi Qinpu (陶氏琴譜; late Ming; IX.6)
    1 folio; 9 melodies, all w/lyrics, 1-1st; publ. & selected by Ji Min (季敏) of Yanjing (燕京; Beijing?)
    with music of Tao Hongkui (陶鴻逵, grandson of Tao Yan (陶琰; 1457-1541)
  45. Huiyan Mizhi (徽言祕旨; 1647; X.1.)
    10 folios; 60 melodies/0-1st (none w/lyrics); compiled by Yin Yu (尹曄 Yin Ye; =
    Yin Ertao 爾韜), who with
    Zhang Dai (張岱) etc. studied qin from Wang Benwu (王本吾) in Shaoxing; traveled a lot
  46. Huiyan Mizhi Ding (徽言祕旨訂; 1692; X.2; ZGSD facsimile reprint)
    Re-published by a student of Yin Ye's later years, 孫泉 Sun Quan
    ToC has 73 items (none w/lyrics): the 60 from 1647 + 13 redone + 3-1st (see ZGSD reprint); only the latter 16 are in QQJC
  47. Youshengshe Qinpu (友聲社琴譜; early Qing; XI.3; not indexed)
    handcopied; 2 folios; 37 melodies listed but 11 missing from 2nd F. Some w/lyrics.
    Group effort of "Friends of Music Society" (?) including Zheng Fang (鄭方) revisions of 嚴澂
    Yan Cheng; see also 1663)
  48. Kuian Qinpu (愧菴琴譜 Remorse-Hut Qin Handbook; 1660; XI.1)
    2 folios; 22 melodies/1-1st (Leng Yu Ci); collective effort incl. Wang Zhimin (王治民) of Suzhou;
    13 melodies are illustrated: Dongtian Chun Xiao, Gao Shan, Bai Xue, Jishan Qiu Yue, Cangwu Yuan, Jiuyi Yin,
    Qiao Ge, Yan Guo Hengyang, Yu Ge, Shanju Yin, Han Gong Qiu, Zhi Zhao Fei and Yan Luo Pingsha.
  49. Chenbentang Qinpu (臣卉堂琴譜; Absentee official's hall qin handbook; 1663/5; XI.2; not indexed)
    handcopied; 26 melodies, some w/lyrics; group effort incl. Zheng Fang (鄭方; cf. XI.3) of Hulin (虍林, near Hangzhou)
  50. Qinxue Xinsheng (琴學心聲; 1664; XII.1 )
    2 folios; 14 melodies/13-1st, including Wuye Wuqiufeng ; 8 have lyrics; see
    ToC
    by Zhuang Zhenfeng (莊臻鳳) of Nanjing (金陵); teacher of Shin-Etsu
  51. Qinyuan Xinchuan Quanbian (琴苑心傳全編; 1670; XI.4)
    20 folios; 80 melodies /3-1st; attrib. Kong Xingyou (孔興誘) of Shandong, 66th gen. desc. from Confucius; his group collected many old melodies, editing some, printing others as is.
  52. Dahuange Qinpu (大還閣琴譜; 1673; X.3; ZGSD facsimile reprint)
    6 folios; 32 melodies/2-1st; by Xu Hong (徐谼; Xu Qingshan 徐青山); Yushan school, emphasizing individual notes;
    The handbook includes his 溪山琴況 Xishan Qin Kuang (X/310-325; compare Lengxian Qinsheng 16 fa)
  53. Hewen Zhu(yin) Qinpu (和文注音琴譜 ; <1676; XII.2 )
    38 melodies (28-1st); all w/lyrics, hence title; these are perhaps melodies the monk 蔣興疇 Jiang Xingchou took from Hangzhou to Japan in 1676; there he became 東皋心越 Toko Shin-etsu and other names; many Toko Kinpu (or Toko Kimpu) appeared later; two are appended here
  54. Songfengge Qinpu (松風閣琴譜 ; 1677/82; XII.3)
    by 程雄
    Cheng Xiong of 休寧 Xiuning (near Huizhou in Anhui); 11 melodies, three 1st (3 w/lyrics);
    Connection to Zhuang Zhenfeng; Van Gulik, Lore, p.96: old poems/essays set to new music; popular in Min school (Fujian).
  55. Shuhuai Cao (抒懷操 [carefree]; 1682; XII.4)
    37 melodies (all-1st?), all short, w/lyric first, then melody; companion to previous;
    Van Gulik, Lore, p.96: new words to old melodies (??, to popular non-qin melodies?)
  56. Songsheng Cao (松聲操 ; 1687; XII.5)
    45 melodies (9-1st, others mostly as in Shuhuai Cao); also has lyrics written 1st, then melodies. In 1956 this was discovered together with Songfengge Qinsepu (see next) in Xi'an.
  57. Songfengge Qinsepu (松風閣琴瑟譜 ; 1677?; XII.6)
    13 melodies (2-1st; 2,4,6,8,10,12 have lyrics); seven are same as Songfengge Qinpu melodies, others are modified; only #13 Da Ya has se tablature
  58. Xiangshantang Qinpu (響山琴譜 ; <1700?; XIV.2; not indexed)
    15 melodies; incomplete handcopy apparently compiled by 徐常遇
    Xu Changyu, considered founder of the 廣陵琴派 Guangling Qin School
    A famous Yangzhou qin player, he was father of Xu You 祐 , Xu Yi 翼 , and Xu Yi 禕 (see next)
  59. Chengjiantang Qinpu (澄鑒堂琴譜 [clear mirror hall]; 1689; XIV.3)
    37 old melodies compiled by Xu Yi 徐禕 or perhaps by his father (see previous item)
    -- some maybe copied as early as 1620?
  60. Deyintang Qinpu (德音堂琴譜 ; 1691; XII.7; ZGSD facsimile reprint)
    35 melodies (7-1st), 4 w/lyrics; popular; by Guo Yuzhai 郭裕齋 (字用英?) of 晉陽 (Anhui? Shanxi?);
    cf. VG. p.66: Guo argues for instrumental music, cuts out lyrics
  61. Qin Se Hebi (琴瑟合璧 [paired qin and se]; 1691; XIII.1)
    4 melodies (old; 2 w/lyrics), arr. by 瀋陽范承都 Fan Chengdou of Shenyang, 昆明萬和 Wan He of Kunming, and 曲阜孔歷洲 Kong Lizhou of Qufu (Shangdong); 1829 handcopy.
  62. Qinpu Xiwei ( 琴譜析微 [discern subtle meanings]; 1692; XIII.2)
    30 melodies; compiled by 紹興魯鼐 Lu Nai of Shaoxing,
    well known in Yangzhou also as painter and poet.
  63. Liaohuaitang Qinpu ( 蓼懷堂琴譜 [luxuriant emotions]; 1702; XIII.3; ZGSD facsimile reprint)
    33 melodies ("32 old": Wuye Wuqiufeng 梧葉舞秋風 [cf 1664] new?); 1 w/lyrics. (Shitan Zhang 釋談章]); by 文昌雲志高 Yun Zhigao of Wenchang (Guangdong, but went north);
  64. Chengyitang Qinpu (誠一堂琴譜 ; 1705; XIII.4)
    36 melodies; compiled by 新安程允基
    Cheng Yunji of Xin'an;
    studied in 虞山派 Yushan school then went home; later studied w/Yun Zhigao (1702) etc.
  65. Yifengyuan Qinpu (一峰園琴譜 ; 1709; XIII.5; not indexed)
    20 melodes, 10 w/ lyrics; compiled by 氾水禹祥年 Yu Xiangnian of Fanshui (in Henan);
    lyrics from 金陵二楊 the two Yangs of Nanjing? (cf. 1585, 1609)
  66. Toko Kinpu (東皋琴譜; Japan ; 1709; see XII.2)
    VG.: pieces Shin-etsu (Toko Zenji) taught beginners; he mentions numerous editions
    the earliest (1709) was not available for QQJC, so two of the many later editions were appended to <1676:
        - a 明和本 Meiwa edition (1772) by 鈴木龍 Suzuki Ryu
        - a 大原止郎本 Ohara Shiro edition (1898) based on one by Niki ??? 仁木斯祐 (Renmu Siyou)
  67. Qinxue Zhengsheng (琴學正聲 ; 1715; XIV.1)
    compiled by Shen Guan 沈琯字秋田號古農 of Jiangning (? 江寧 ); articles;
    Qinqu Pulu; lyrics from Qin Cao; 12 melodies in two sets: 1st (XIV/45-50) is a set of 7 new melody names that seem to be subtitles of diaoyi; the other (XIV/52-3) is five old diaoyi. All twelve pair note names (宮商角徵羽 gong shang jiao zhi yu) as well as lyrics
  68. Wuzhizhai Qinpu (五知齋琴譜 ; 1722; XIV.4; ZGSD facsimile reprint)
    33 melodies; 8 folios; by 徐祺 Xu Qi of Yangzhou; early Guangling school book;
    cf. Van Gulik, Lore, p.185: "most popular handbook in existence"; no new tunes but all have been revised by Xu Qi
  69. Woyunlou Qinpu (臥雲樓琴譜 ; 1722; XV?; ; ZGSD facsimile reprint)
    32 melodies, 8 folios; by 馬兆辰 Ma Zhaochen, a student of Lu Nai of Shaoxing;
    30 are from Ma's Qinpu Xiwei (1692) plus two more of Ma's, 秋鴻 and 羽化登仙
  70. Cungutang Qinpu (存古琴譜 ; 1726; XV?)
    20 melodies, 8 folios, compiled by 吳文煥 Wu Wenhuan
  71. Lixuezhai Qinpu (立雪齋琴譜 ; 1730; XV?; ZGSD facsimile reprint)
    2 folios, 16 melodies with lyrics; compiled by 汪紱 Wang Fu
  72. Qinshu Qiangu (琴書千古 ; 1738; ?)
    4 folios, 24 melodies; compiler unclear (
    QSCM, #318)
  73. (Zhixinzhai) Qinxue Lianyao (治心齋) 琴學練要 ; 1739; ZGSD facsimile reprint)
    5 folios, 30 melodies; ed. by 長安王善 Wang Shan of Chang An
  74. Chuncaotang Qinpu (春草堂琴譜 ; 1744; Qin Fu [Taiwan], 1971; ZGSD facsimile reprint)
    by Cao Shangjiong (曹尚絅); 6 folios, 28 melodies; see Van Gulik, Lore, p.186
  75. Dayue Yuanyin (大樂元音 ; 1745; XVI.3)
    7 folios, 6 melodies, by 潘士權 Pan Shiquan (seems to have notes, not tablature)
  76. Qin Jian Hepu (琴劍合譜 ; 1749; ?)
    not divided into folio, 11 melodies; hand-copied; by 索敏亭 Suo Minting
  77. Yingyang Qinpu (潁陽琴譜 ; 1751; XVI.1)
    4 folios, 12 melodies; by 李郊 Li Jiao of 氵殷(氵隱)州 Yinzhou (in Henan, near 穎州 Yingzhou); 中州派 Zhongzhou (Henan) school. Each phrase of every melody begins on a separate line, and at the beginning of each section there is a statement of how many phrases and how many 點
    dian it has. Dian seem to correspond to the points on old tablature at which lyrics could be paired.
  78. Lantianguan Qinpu (蘭田館琴譜 ; 1760; XVI.2)
    9 folios, 44 melodies; hand-copied; by 李光塽 Li Guangshuang
  79. Qinxiangtang Qinpu (琴香堂琴譜 ; 1760; XVII.1)
    not divided into folios, 38 melodies; by 馬任、馬倩 Ma Ren & Ma Qian
  80. Yanlulou Qinpu (研露樓琴譜 ; 1766; XVI. 4; ZGSD facsimile reprint)
    4 folios, 20 melodies; by 崔應階 Cui Yingjie
  81. Longyinguan Qinpu (龍吟館琴譜 ; 1799)
    2 folios, 8 pieces (not indexed, more in
    footnote)
  82. Ziyuantang Qinpu (自遠堂琴譜 ; 1802; XVII.2)
    by Wu Hong (吳灴); 12 folios; 93 melodies; see Van Gulik, Lore, p. 186: typical Qing: no philosophy, but musical theory
  83. Yiluxuan Qinpu (裛露軒琴譜 Pavilion for collecting dew...; >1802; ?)
    1 folio, 8 ce; 88 melodies; compiler uncertain;
    hand-copy; each piece has a note saying which handbook it was copied from
  84. Xiaolili Qinshuo (蕭立禮琴說 ; 1807; ?);
    one melody, Pingsha Luo Yan, by 蕭用和 Xiao Yonghe (= Xiao Lili)
  85. Xiaolan Qinpu (小蘭琴譜 ; 1812; ?);
    1 folio, 13 melodies; compiled by 葉布纂 Ye Buzuan
  86. Qinpu Xiesheng (琴譜諧聲 ; 1820; ?) (Qin Handbook Harmonizing Sound);
    four folios, 26 melodies in 32 tablatures; edited by 周顯祖 Zhou Xianzu;
    some have xiao accompaniment.
  87. Zhifa Huican Quejie (指法匯參確解 ; 1821; ?)
    not divided into folios, 11 melodies; 稿本 draft copy by 王仲舒 Wang Zhongshu
  88. Fengbaolou Qinpu (峰抱樓琴譜 ; 1825; ?)
    not divided into folios, 16 melodies; compiled by 沈浩 Shen Hao
  89. Qinxue Renduan (琴學軔端 ; 1828; ?)
    3 volumes, 34 melodies; edited by 鑑湖鑑湖逸士石卿 "Retired Scholar of Mirror Lake" Shi Qing
  90. Linhezhai Qinpu (鄰鶴齋琴譜 [pavilion near cranes]; 1830; ?)
    not divided into folios, 16 melodies; edited by 陳幼慈 Chen Youci
  91. Erxiang Qinpu (二香琴譜 ; 1833; ZGSD facsimile reprint)
    10 folios, 30 melodies; compiled by 將文勳 Jiang Wenxun; full title: 梅花庵二香琴譜 Meihua An Erxiang Qinpu
    (note that the 花 hua is different from that in the 梅華庵 Meihua An mentioned in 1876)
  92. Lü Hua (律話 ; 1833; ?)
    3 folios, 11 melodies; compiled by 戴長庚 Dai Changgeng
  93. Lüyin Huikao (律音彙攷 ; 1835; ?)
    8 folios, 24 melodies; 12 melodies each arranged in two different qin tunings by 邱之陸 Qiu Zhilu;
    these apparently Tang dynasty melodies were taken from 趙彥肅 Zhao Yansu's 風雅十二詩譜 Fengya Shiershi Pu (ca 1180), as transcribed into gongche notation by 朱熹 Zhu Xi; around 1300 熊朋來 Xiong Penglai (1246-1323) also published them in his 瑟譜 Se Pu
  94. Wuxue Shanfang Qinpu (悟雪山房琴譜 ; 1836; ?)
    6 folios, 50 melodies; edited by 黃景星 Huang Jingxing; said to include over 30 melodies hand-copied by his father from a Ming handbook called 古岡遺譜 Gugang Yipu;
    Lingnan School)
  95. Huaiyin Shuwu Qinpu (槐蔭書屋琴譜 ; 1840; ?)
    not divided into folios, 8 melodies; hand-copy compiled by 王藩 Wang Fan
  96. Xingyouhengtang Lucun Qinpu (行有恒堂錄存琴譜 [Qin Handbook with Surviving Records of (Prince) Xingyouhengtang]; 1840; ?)
    1 volume, 8 melodies; preface by the Xingyouhengtang Master; afterword dated 1908 (!) by 葉詩夢
    Ye Shimeng: see 1914 below
    Xingyouhengtang was son or grandson of 清宗室綿恩 Qing Prince Mian-en (1748-1822), who named the collection
  97. Zhang Jutian Qinpu (張鞠田琴譜 ; 1844; ?)
    Not divided into folios, 26 melodies; draft copy of Zhang's tradition; see QSCB,
    p. 172.
    Contains 1 practise melody, 14 traditional qin melodies, and 11 melodies adapted from Kunqu, narrative songs, folk songs and folk melodies
  98. Yijinglu Qinxue (一經廬琴學 ; 1845; ?)
    two folios, 15 melodies, compiled by 姚配中
    Yao Peizhong (Columbia U has a copy)
  99. Zhiyun Qinpu (稚雲琴譜 ; 1849; ?)
    not divided into folios, 19 melodies; draft handbook of 曹錡 Cao Qi (曹稚雲 Cao Zhiyun)
  100. Yuguzhai Qinpu (與古齊琴譜 ; 1855; ?)
    four folios, no tablature; by 祝鳳喈 Zhu Fengjie; essays, qin construction, qin accoutrement, fingering)
  101. Qinxue Zunwen (琴學尊聞 ; 1864; ?)
    2 volumes, 13 melodies; compiled by 郭柏心 Guo Boxin
  102. Qinxue Rumen (琴學入門 ; 1864; ZGSD facsimile reprint)
    2 folios, 20 melodies; selected by Zhang He (張鶴); see Van Gulik, Lore, p.187
  103. Jiaoan Qinpu (蕉庵琴譜 ; 1868; ZGSD facsimile reprint)
    4 folios, 34 melodies; compiled by Qin Weihan (秦維翰);
    Van Gulik, Lore, p.34, fn.17, says this plagiarizes 1722 note for note (without attribution?);
    my survey show they have 19 titles in common
  104. Qin Se Hepu (琴瑟合譜 ; 1870; in Qin Fu 琴府 [pp. 655-725])
    two folios, 8 melodies; by Qing Rui 慶瑞 (discussed in Van Gulik, Lore, p.9 fn)
  105. Yi Liu Zheng Wu zhi Zhai Qinxue Mishu (以六正五之齋琴學祕書 ; 1875; ?)
    six folios, 21 melodies; draft, selected by 孫寶 Sun Bao
  106. Tianwenge Qinpu (天聞閣琴譜 ; 1876; ?)
    16 folios, 145 melodies; edited by 唐彝銘 Tang Yiming
  107. Tianlaige Qinpu (天籟閣琴譜 ; 1876; ?)
    not divided into folios, 30 melodies; edited by 覺菴 Jue An (a Mongolian)
  108. Xiangxuezhai Qinpu (響雪齋琴譜 ; 1876; ?)
    two folios, 15 melodies; hand copy, unknown author, perhaps related to 1807
    (only melody in 1807 is a different version of Pingsha Luo Yan)
  109. Xishaoge Qinpu (希韶閣琴譜 ; 1878; ?[aka 琴學津梁 Qinxue Jinliang)
    4 folios, 44 melodies; prepared by 黃曉珊 Huang Xiaoshan (see also 1890 below)
  110. Shuangqin Shuwu Qinpu Jicheng (雙琴書屋琴譜集成; 1884)
    6 folios, 39 melodies; 清谼子 Qing Hongzi
  111. Luqi Qingyun (綠綺清韻 ; 1884)
    one folio, 10 melodies; compiled by 徐臚先 Xu Luxian
  112. Qinzhi Shen Qiu (琴旨申邱 ; 1889)
    one folio, two melodies connected to a music book by 邱之陸 Qiu Zhileng; selected by 劉人熙 Liu Renxi
  113. Xishaoge Qin Se Hepu (希韶閣琴瑟合譜; 1890)
    four folios (two each for qin and se), 16 melodies; edited by 黃曉珊 Huang Xiaoshan (see also 1878 above)
  114. Kumu Chan Qinpu (枯木禪琴譜; 1893; ZGSD facsimile reprint)
    8 folios, 32 melodies; by 釋空塵 Shi Kongchen (Buddhist Priest Empty of World)
    Withered Timber Zen Qin Handbook; has several melodies with Buddhist themes
  115. Qinxue Chujin (琴學初津 ; 1894)
    10 folios, 50 melodies; handcopy; compiled by 陳世驥 Chen Shiji
  116. E Gong Ci Shuo Qin (鄂公祠說琴; 1898)
    one folio draft, two melodies (one a revision of
    Gu Yuan); collected by 朱啟連 Zhu Qilian (1853-99)
  117. Mingshengge Qinpu (鳴盛閣琴譜; 1899)
    one folio?, 12 melodies; edited by 林薰 Lin Xun
  118. Shiyixianguan Qinpu (十一絃館琴譜; 1907 [ZGSD facsimile reprint])
    one folio, 8 melodies; compiled by 劉鐵雲 Liu Tieyun (Liu E), with tablature of his teacher 張瑞珊文祉 Zhang Ruishan (Zhang Wenzhi);
    further information is on the website of Julian Joseph.
  119. Qinxue Congshu (琴學叢書; 1910; ZGSD facsimile reprint)
    16 volumes, 32 melodies; compiled and edited by 楊宗稷 Yang Zongji (楊時百 Yang Shibai)
    #11 in Qin Fu (琴府); see Van Gulik, Lore, p.180;
  120. Yazhai Qinpu Zongji (雅齋琴譜叢集; ? )
    22 volumes, 30 melodies; by 李光烈 Li Guanglie
  121. Shimengzhai Qinpu (詩夢齋琴譜; 1914);
    handcopy, 10 folios, 20 melodies; collected by 葉潛 Ye Qian
    handbook of
    Ye Shimeng (1863-1937), teacher of R. H. Van Gulik (see 1840)
  122. Shanxi Yucaiguan Yayue Jiangyi (山西育才館雅樂講義; 1922)
    five volumes; 6 樂章 yuezhang (short 雅樂 yayue songs set for qin), then 6 qin songs;
    by the 長沙愔愔琴舍 Changsha Yinyin Qin Society, especially 彭慶壽 Peng Qingshou and 顧燾 Gu Dao
  123. Mei An Qinpu (梅庵琴譜; 1931; later editions 1959, 1971 and ca. 1979; ZGSD facsimile reprint)
    2 folios, 14 melodies; compiled by 徐卓 Xu Zhuo (徐理蓀 Xu Lisun, 1897-1969) with help from 邵森 Shao Sen (邵大蘇 Shao Dasu) to preserve the tradition of 王賓魯 Wang Binlu (1867 - 1921), which can in turn be traced to Longyin Guan Qinpu (1799?). This standard handbook of the Mei'an School was published in several editions. Xu Lisun added essays for the 1959 edition, including prefaces to all melodies; these are not in Zha's index, which was published in 1958. The later editions may also have new and/or different essays.
  124. Jinyu Qinkan (今虞琴刊; 1937);
    one volume, two melodies in tablature, several in number notation; compiled by the Jinyu Qin Society
    #12 in Qin Fu (琴府); has much material on
    Yan Cheng (see 1614)
  125. Shayan Qinbian (沙堰琴編; 1946)
    one folio, 13 melodies; 裴鐵俠 Pei Tiexia
  126. Xia Yifeng Chuanpu (夏一峰傳譜; 1957)
    one volume, 17 melodies with staff notation of Xia Yifeng's performances;
    same as 古琴曲彙編 Guqinqu Huibian, published in Beijing); included in 琴府 Qin Fu
  127. Yan Yi Xi Qin Zhai Qinpu (研易習琴齋琴譜; 1961)
    3 folios, 30 melodies; the repertoire of 章志蓀 Zhang Zhisun, teacher of 孫毓芹
    Sun Yuqin
  128. Chunyu Caotang Qinpu (春雨草堂琴譜; 1969)
    10 compositions by 盧家炳 Lo Ka-Ping (see also the
    recording); in 琴府 Qin Fu, p.1934.
  129. Wumen Qinpu (吳門琴譜; The Qin Handbook of the Wu Tradition, Gu Wu Xuan Chubanshe, Suzhou, 1998)
    15 melodies as played by 吳兆基 Wu Zhaoji, with number notation
  130. Yinyinshi Qinpu (愔愔室琴譜; Hong Kong, 2000)
    4 folios, 33 melodies; commentary and repertoire of 蔡德允 Cai Deyun
  131. Yushan Wushi Qinpu (虞山吳氏琴譜; The Qin Music Repertoire of the Wu Family, Beijing, Dongfang Publishing, 2001)
    repertoire of Wu Jinglue (吳景略) and his son Wu Wenguang (吳文光)
    51 melodies have tablature and staff notation
    50 qin songs have tablature, number notation and lyrics
    Appended is a list of fingering explanations in Chinese and English

 
Footnotes (Shorthand references are explained on a
separate page)

1. 琴譜 qinpu; the Chinese characters here are unicode traditional (Return)

2. 琴曲集成Qinqu Jicheng (Collection of Qin Melodies)
New series, 中華書局出版發行 Zhonghua Shuju Chuban Faxing, Beijing (Vol. 1 - 8) and Shanghai (Vols 9 - 17, except 15)
Apparently this series was originally planned to reprint all known surviving handbooks in 24 volumes. However, no new volumes of Qinqu Jicheng have been published since Vol. XVII was printed in 1991. (Return)

3. 琴曲集成Qinqu Jicheng (Collection of Qin Melodies), Old Series
The old series, also published by Zhonghua Shuju, first appeared in 1963. Apparently just two volumes were planned, but the second volume was never published; it was then superceded by the new series. See details. (Return)

4. Zha Fuxi' Guide Part 4 lists handbooks of which he was aware, but which he did not include in his index. Some were in Taiwan and so not available to him at that time; others were hand-copies with material published elsewhere. (Return)

5. Some further handbooks were discovered in time to include in Qinqu Jicheng. Others of which Zha Fuxi was not aware in the 1950s include the following,

  1. Longyinguan Qinpu (龍吟館琴譜 ; 1799)
    2 folios, 8 pieces, all proto-Mei An School;
    Table of Contents says 歷城毛式郇拜稿 (copied by Mao Shixun [?] of Licheng [area around 濟南 in Shandong]) but references just say 山東毛氏抄本 hand-copied by Mao of Shandong. Lieberman says it was the handbook of 王賓魯 Wang Binlu (1867 - 1921). The only copy is in VG Leiden collection (photocopies have circulated). It has essays plus the following melodies: 1. Pingsha Luo Yan 平沙落雁
    2. Changmen Yuan 長門怨
    3. Guanshan Yue 關山月
    4. Qiugui Yuan 秋閨怨 (unrelated to earlier Qiu Gui or Qiu Gui Yuan; Qiuye Chang?)
    5. Xie Xian You 挾仙遊
    6. Chungui Yuan 春閨怨 (= Yulou Chunxiao 玉樓春曉)
    7. Qiujiang Ye Bo 秋江夜波
    8. Dao Yi 搗衣 (not = Dao Yi Qu)

  2. Qinpu Zhenglü (琴譜正律 ; 1839?)
    ? folios, ? pieces; also proto-
    Mei An School;
    Online information says this was the handbook of 王雩門字冷泉 Wang Yumen, style name Lengquan (ca. 1807 - 77); he and 王溥長字既甫 Wang Fuchang, style name Jifu (ca. 1807 - 1886), were the 諸城二王 "Two Wangs [who founded] the Zhucheng School". (see next). Wang Fuchang and Wang Yumen originally had different styles, but after their association they developed a new style. Wang Yumen compiled the new melodies, or new versions of the melodies, into Qinpu Zhenglü. It included the characteristic Zhucheng melody Changmen Yuan and also a melody that François Picard says is a "missing link" in the development of Pu'an Zhou

  3. Tongyin Shan Guan Qinpu (桐蔭山館琴譜; ca. 1880?)
    ? folios, ? pieces; also proto-
    Mei An School;
    Online information says that 15 melodies of Wang Fuchang (see above) were compiled into the Tongyin Shan Guan Qinpu; François Picard dates it ca. 1900 and credits it to Wang Fuchang's son 王作禎字心源 Wang Zuozhen, style name Xinyuan (1842 - 1921).

  4. Yuhexuan Qinpu (玉鶴軒琴譜; date?)
    ? folios, ? pieces; also proto-
    Mei An School;
    François Picard dates this ca. 1903 and credits it to 王心葵 Wang Xinkui (1877 - 1921), son of Wang Zuozhen (see previous).
    (Return)

6. References to Facsimile Editions
Volumes in this list included in Qinqu Jicheng or Qin Fu are indicated by number. Thus I/2 means this listed handbook is the second one reprinted in QQJC Volume I. QF/2 means the second handbook in Qin Fu. In addition, a number of these books are available in facsimile reprint. Most of these are being published by Zhongguo Shudian.

中國書店 Zhongguo Shudian (ZGSD)
Zhongguo Shudian (China Bookstore) has a shop in Liuli Chang, an area of Beijing that sells books and curios. Their address is: 北京市宣武區琉璃廠東街一一五號 #115 East Street, Liulichang, Xuanwu District, Beijing (entrance on 南新華路 South Xinhua Street). Some of their facsimile reprints include new commentary on the handbooks. They list currently available facsimile reprints of qin handbooks on their website, http://www.zgsd.net/. Most of them can be found by searching under 书名 book name for 琴谱 (simplified characters). However, this search does not find volumes (e.g. Qinxue Rumen) which do not include "qinpu" in their title. (Return)

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