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| XLTQT ToC / Preface / Commentary | 首頁 |
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Xilutang Qintong
Qin Anthology of the Hall in the Western Foothills |
西麓堂琴統目錄
1549 |
Tunings in Xilutang Qintong (1549)
14 tunings: 8-10 and 12-14 below are not among the 8 in Shen Qi Mi Pu
1
|
Name |
Chinese |
String tuning method |
Tuning |
Played as |
Comments/Translation |
|
# in (brackets) is the #
of pieces in this mode, incl. modal prefaces |
中文 | loosen or tighten one half step unless otherwise indicated (underline = 1 step) |
if standard tuning has
1st string = c ("1"; d=2, etc.); (absolute tuning) |
if 1 = do, 2 = re, etc.;
(relative tuning) |
number in (brackets) is the name's
sequence in the set of 12 pitches |
|
1. Huangzhong (2)
Taicou (5) Dalü (3) |
黃鐘
太簇 大呂 |
lower 3 | 1 2 3 5 6 1 2 | 1 2 3 5 6 1 2 |
-yellow bell (1) [usually: 1 3 5 6 1 2 3]
-great burst (3) -big tube (2) |
|
2. Gong (14)
Shang (9+24) Jiao (13) Zhi (11+8) Yu (7+6) Shangjiao (3) Zhonglü (3) Linzhong (3) Jiaozhiyu (2) |
宮
商 角 徵 羽 商角 中呂 林鐘 角徵羽 |
"standard" | 1 2 4 5 6 1 2 |
5 6 1 2 3 5 6
1 2 4 5 6 1 2 5 6 1 2 3 5 6 1 2 4 5 6 1 2 5 6 1 2 3 5 6 1 2 4 5 6 1 2 |
- secondary tube (6) - forest bell (8) - these last 3 use 5 strings |
|
3. Ruibin (4)
Qingyu (2) |
蕤賓
清羽 |
raise 5 |
1 2 4 5 6# 1 2 | 2 3 5 6 1 2 3 | -luxuriant vegetation (7) |
|
4. Yize (3)
Nanlü (2) |
夷則
南呂 |
lower 1, 3, 6
(or raise 2, 4, 5, 7) |
7 2 3 5 6 7 2 | 3 5 6 1 2 3 5 |
-exotic standard (9);
(SQMP: mangong) - southern tube (10) |
|
5. Guxian (3)
Jiazhong (3) |
姑洗
夾鍾 |
raise 2, 5, 7 (or lower 1, 3, 4, 6) |
1 2# 4 5 6# 1 2# | 6 1 2 3 5 6 1 |
-maiden clean (5)
-inserted bell (4) |
| 6. Qiliang (7) | 淒涼 |
raise 2, 5 |
1 2# 4 5 6# 1 2 | 2 4 5 6 1 2 3 | -cold misery |
| 7. Manshang (4) | 慢商 | lower 2 | 1 1 4 5 6 1 2 | 1 1 4 5 6 1 2 | |
| 8. Yunü (2) | 玉女 | lower 1, 3 | 7 2 3 5 6 1 2 | 7 2 3 5 6 1 2 |
-jade girl; only one melody:
can be played w/out lowering 1 |
| 9. Wumei (4) | 無媒 | lower 3 & 6 | 1 2 3 5 6 7 2 | 4 5 6 1 2 3 5 |
-no go-betwen (in Lixing Yuanya [1618]
raise 2 by and 6 by 1 step) |
| 10. Quan (4) | 泉鳴 |
lower 1(x2), 3, 6 |
6 2 3 5 6 7 2 |
5 1 2 4 5 6 1
(not 2 5 6 1 2 3 5) |
- spring sounds; wrong tuning instructions, but correct guidelines |
|
11. Wuyi (6)
Yingzhong (3) Fugu (3) |
無射
應鐘 復古 |
lower 1 raise 5 | 7b 2 4 5 6# 1 2 |
1 3 5 6 1 2 3
1 3 5 6 1 |
-no _?_ (11)
-responding bell (12) -return to antiquity; uses only 5 strings |
| 12. Jianxian (2) | 間絃 | lower 3 raise 5 | 1 2 3 5 6# 1 2 |
1 2 3 5 7b 1 2
(5 6 7 2 4 5 6?) |
- between strings; only one melody:
all but 1 section end like open 6th |
| 13. Biyu (3) | 碧玉 | lower 1, 4, 6 raise 3 | 7 2 4# 5b 6 7 2 | 6 1 3 3 5 6 1 |
-green jade; alternate tuning (not here)"
raise 3 a whole tone from guxian |
| 14. Li You (1) | 離憂 | lower 1, 2 raise 5 | 7b 1 4 5 6# 1 2 | 1 2 5 6 1 2 3 |
-separation's sorrow;
only one melody, no modal preface |
|
total: 29 diao yi
140 melodies |
# does not include the diaoxian pin which precedes gong mode |
Footnotes (Shorthand references are explained on a separate page)
1. Shen Qi Mi Pu also has no melodies using only five strings. (Return)
Return to the top or to the Guqin ToC.