Areas and specific places
Many melodies can be associated with specific regions or places:
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Chu/Hunan (South Central China)
Note in particular the characteristic tunings.
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North and Central Asia (including the Silk Road)
About nomad problems, not trade; again note the characteristic tunings
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Lower Jiangnan (within a 200 km radius from Shanghai)
Almost all melodies use standard tuning.
For Hangzhou in particular, see Music from the Time of Marco Polo.
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Anhui Province
Special focus on She county
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Henan Province
Includes the ancient capitals Loyang and Kaifeng
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Xi'an (and southern Shaanxi province)
Most related melodies are connected by early stories
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Nanjing
Many important mid- and late-Ming qin handbooks were published here
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Japan
The earliest surviving qin music was brought to Japan in the 17th c.; never localized
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Korea
The qin was often imagined in literature and painting, but no known music
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Vietnam
The qin was often mentioned in literature and painting, but no known music
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Other Areas
Other melodies connected to specific known locations include
- Gui Qu Lai Ci (Come Away Home, set near Jiujiang, in Jiangxi)
- Linqiong Yin (Prelude of Linqiong, in Sichuan), and
- Xing Tan (Apricot Forum, where Confucius taught in Qu Fu, Shandong).
For some melodies the related places may be multiple, and/or the specific place may not be so easy to locate. Examples include
- Kongtong Wen Dao (Discussing the Dao at Kongtong Mountain, in Henan or Gansu)
- Mingde Yin and Kongsheng Jing (Bright Virtue Prelude / Sacred Confucian Canon; the latter is set to the text of the Great Learning; the former has Zhu Xi's commentary, probably written at the Yuelu Academy, a teaching institute (now also a museum) he had founded in Changsha, Hunan)
- Qingjing Jing (Canon of Purity and Tranquility; this chant is a morning lesson sung at a Daoist monastery in Wudang Mountain in northwest Hubei, but also elsewhere)
- Yu Hui Tushan (Emperor Yu had his capital in Henan but the Meeting at Mount Tu was supposedly near Shaoxing in Zhejiang).
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